PICRYL makes the world's public domain media fun to find and easy to use. PICRYL is an AI-driven search & similarity engine. PICRYL is the largest media source for public domain images, scans, and documents. Behind the central figure hangs an aryballos.Ģ009, 2 Apr-13 Oct, Alicante, The Body Beautiful in Ancient Greek Art and ThoughtĢ010, 30 Apr-30 Aug, Seoul, National Museum of Korea, The Body Beautiful in Ancient Greek Art and ThoughtĢ010-2011, 15 Oct-07 Feb, Taipei, The National Palace Museum, The Body Beautiful in Ancient Greek Art and ThoughtĢ010-2011, 11 Mar-12 Jun, Kobe City Museum, The Body Beautiful in Ancient Greek Art and ThoughtĢ011, 4 Jul-25 Sep, Tokyo, The National Museum of Western Art, The Body Beautiful in Ancient Greek Art and ThoughtĢ011-2012, 25 Oct-12 Feb, Mexico City, National Anthropological Museum, The Body Beautiful in Ancient Greek Art and ThoughtĢ012-2013, 6 Oct-6 Jan, Portland Art Museum, The Body Beautiful in Ancient Greek Art and ThoughtĢ013, 6 May–6 Oct, Dallas Museum of Art, The Body Beautiful in Ancient Greek Art and ThoughtĢ014, 21 Feb-9 Jun, Fondation Pierre Gianadda, The Body Beautiful in Ancient Greek Art and ThoughtĢ014, 2 Aug –9 Nov, Bendigo Art Gallery, Victoria, Australia, The Body Beautiful in Greek Art and ThoughtĢ015, 26 Mar-5 Jul, The British Museum, Defining Beauty:the body in ancient Greek art.The World's Largest Public Domain Media Search Engine

(b) Three ephebi conversing, wearing fillets and wrapped in himatia the central figure stands to right, and the one on the right extends right hand as if speaking. Within is seen the upper part of the door in perspective, turned back on its hinge on both parts are broad black bands studded with large white nails.

On the right is a Doric column, beyond which a bearded middle-aged man stands looking on, with a white fillet, the ends of which hang down, himation over left shoulder, and right hand on knee behind him is a doorway, with a half-door over which a youth in a himation is leaning, looking to left. A more youthful figure, with radiated fillet, the ends of which hang down, climbs on to the chair, on which his left foot is placed, with the aid of a staff in his left hand. (a) Erastes-scene: On the left is a youth, ityphallic, seated on a chair to right, with radiated fillet and drapery under him, left arm placed behind his head his feet rest on a footstool. Above the designs, laurel-wreath below, maeander and crosses below the handles, palmettes. Designs red on black ground, with white accessories.

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